![]() Lloyd Webber has written some extra background music here and there, as well as one new song, and that's an oddity, too. This, of course, makes it something of an odd listening experience, especially because there doesn't seem to be any reason why some dialogue is spoken and some is rendered in singsong recitative. The two-hour special edition is that rarity, a soundtrack album that actually contains the complete, unedited film soundtrack, including dialogue, incidental background music, and sound effects. Even fans of the show and the film may want to stick with the shorter one, however. Again, Lloyd Webber has opted to issue it in two versions, but this time, the 63-minute single CD is considered the standard release, with the double-disc set billed as the Special Edition version. Although there was also an original Canadian cast album (not to mention foreign-language versions from such countries as Japan and Austria), the movie soundtrack represents the first major re-recording of the score since 1986. alone by 1996, with another four million copies of a single-disc highlights version as well. In line with the success of the show, that album, a double-disc set, was also a hit, selling four million copies in the U.S. Because the same starring performers, Michael Crawford and Sarah Brightman, moved from the West End to Broadway, there was no original Broadway cast recording, the original London cast album serving to represent both stagings. The musical opened in London in October 1986 and in New York in January 1988, and both productions were still running (along with many others around the world) when the film version finally premiered in December 2004. There is now even a demand on our scheme for a Saturday morning free school.Andrew Lloyd Webber's musical adaptation of Gaston Leroux's 1911 gothic mystery novel The Phantom of the Opera proved to be at least the composer's second most successful project, behind only Cats, and with the potential to outdo even that blockbuster. “The majority of the kids have really, really changed their behaviour. It improves your self-awareness, if you’re playing in an orchestra you become a team player. “But what it does, is it really helps them as people. “What music does in these schools,” Lloyd Webber said, speaking about the benefits of music on the lives of young people, “isn’t about necessarily trying to make the children musicians. Previously, Lloyd Webber said the programme had “been met with a vague, fudgy nod” from the government, despite the positive results. Read more: Nominate an inspiring music teacher in the Classic FM Music Teacher of the Year Awards Music is absolutely at the heart of the school, and not an add-on.” We are celebrating the best results the school has ever had. Headteacher Jenny Smith told The Times in 2020: “The school is unrecognisable from where it was in 2014. One school which adopted the scheme is the Frederick Bremer School in east London, where every new pupil learns to play the violin, viola or flute during music lessons. “It’s only £200 per child a year – and we have every statistic that the government could possibly want for 10 years, of what this trust has done,” he added.Įvery state school that the scheme supports, now has an orchestra, the composer told LBC host Nick Ferrari. South African schoolchildren play Vivaldi in exhilarating marimba performance
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